If you’re like me, then listening to the radio today is like a personal challenge of endurance of just how long I can listen to a station without having my brain turn to putty and ooze out of my head. The new industry formula for creating a song by constantly worshiping: sex, money, and other vices paired with tinkered tailored sounds on beat machines has turned many a music fan away from contemporary rap and hip-hop. Even R&B is becoming a nuisance thanks to monotonous, dancy pop tracks of artists like Usher and Chris Brown. So what should appear before my very eyes, well actually come across my inbox, but an invitation to listen and review Chicago artist TreStyle’s, debut mixtape Dark Days, Bright Nights.
The 24 year-old Chicago native, West-side born and bred, records out of the “The Jungle” recording studio where we also interviewed fellow Chicago artist WhoisCHI in our previous article An Interview With A Chicago Artist. Rapping verses to himself since he was counting times tables, TreStyle got his professional start early joining the group F.A. The Squad just in his sophmore year of high school. The group members consist of Rel, The Boy Illinois, Rip the group’s manager, as well as TreStyle himself. While working with the F.A. family, TreStyle has contributed to 4 music projects, the most recent being a mixtape entitled “The Pilot.” Though all the group’s members are still very much a unit, they contionusly work on solo projects which leads to our listening pleasure TreStyle’s first solo endevor Dark Days, Bright Nights. As per the artist himself, the musical collection really appeals to “the emotions of everyday people” as well as “the hard issues that need to be highlighted in today’s music.” And I would have to agree that this compilation is driven, fun, and uplifting.
Though the mixtape as a whole is very focused and underground, honing on deep universal messages and a cleverly crafted sound, there were a few standout tracks that I wanted to mention.
P.O.V.-this is the mixtape’s opening track and does a good job of setting up what the project is all about. If you couldn’t tell from the mixtape’s cover there’s definitely traces of early Kanye West and other local artists like Consequence. It’s a very conscious piece and in my opinion displays where music should have gone after albums like Graduation. This track stamps itself and clearly defines the rest of the project as true hip-hop.
H&H– a very catchy song and the beat does a nice job of supporting the lyrics. H&H, which stands for Hoodies and Headphones, highlights the universal attire among urban music lovers. I especially enjoyed some of the wordplay in the song, lines like “I ain’t say kill yourself/just go take some suicide lessons” are among the humorous, witty hooks that deal with the hating tendencies of naysayers.
What You Sippin– upbeat but not necessarily a dance song. But, hey, can you really go wrong with a drinking song? The song rings very true to the going out lifestyle but doesn’t make it sleazy. It’s a good song to bob your head to on the way to the club. Guest artists Spud and 3 Tre do a very good job of elevating the sound of the track. It sounds radio ready to spin.
Like Kings– upon first hearing the track I couldn’t shake the feeling that it sounded very familiar to me. After a few replays I pinpointed the sound. In my head, it sounds loosely reminiscent of Drake’s Underground Kings but the beat and song in general hits a lot harder with strong drum tones throughout. Again, TreStyle displays a clever lyricism not seen today. I mean who else has tried to fit The Office‘s “Dundler Mifflin” reference in a song?
The Jungle– this track may be my favorite of the bunch. Once the beat drops you just instantly get the all-too-familiar Chicago custom of bobbing your head while waving your right hand in the air. If someone would have played this for me I would have never thought it was a mixtape. The sound is so professional and clean, especially the staccato drum machine beat which can sometimes sound amateur. The unmentioned singer on the track does a good job of complimenting the easygoing feel of the song.
Struggle Vs. Relief– Now if the previous track, Like Kings, is reminiscent of Drake I’m gonna go ahead and dub this with one of my favorite sayings, “this that Drake shit!” And what I mean by that is it invokes that all too familiar habit of staring longingly out of the nearest window and thinking deeply about your life.The song itself is very introspective and allows the listener to use what music is intended for, which is getting lost in the ideas and sounds which the artist has created for you.
Green Room– a euphoric racy track that comes across almost as hip-hop “trance” music. It really took me to another state of mind. This is what I dub “zoning out” music for those of you who use different methods, both legally or otherwise, at reaching a “high”-er mental state. It’s also a cool song just to chill and ride around exploring the city to.
Bright Night– I thought Green Room was a riding song, but with Bright Night the lyrics are practically a step-by-step instructional for hanging out on an especially chill Chicago evening. I couldn’t help but gush over the retro feel of this song. It was if I had been transported back to my junior or senior year of high school when I didn’t even think about the possibility of clubbing. When riding around the city blocks or general area of your residence in your best friend’s mother’s car that she managed to steal for the night was the highlight of your night. (Or maybe that was just my life?) The Boy Illinois is a great addition for the closing of the song and gave me some Andre 3000 realness.
Overall, this mixtape is a heartfelt and thoughtful piece of work but it’s not without fault. There really should be more upbeat and dancing songs you can bop to but with all the dancy dribble out today I won’t hold it against him. Tre Styles does a good job of not selling us a fabricated, non attainable image of opulent lifestyle but real poignant words. The mixtape gives us what we should expect from music artists, which is a very deep, authentic account of an artist’s life. It calls out to a lot of the great hip-hop we got from artists in the early 2000s while still remaining quite modern. It’s what Chicago music needs, moving forward from violence and injustice by recalling a better day, a better sound. This mixtape undoubtedly gets 4-Star’s gem of approval!
Don’t take our word for it listen to F.A. The Squad‘s artist, TreStyle with his debut mixtape Dark Days,Bright Nights by clicking the link:
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